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Mon-Tues, Nov 24-25, 2008
An Interdisciplinary Symposium:
Academic Evolution and Hybridization: Literature and the Sciences

Sponsored by the Interdisciplinary Colloquy on the History and Philosophy of Science & Technology

2 sessions daily, 9-12, and 1:30-4:30,
lunch provided for guests and local presenters
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request additional information
via email, to Stephen Blackwell



ABSTRACTS


Ever since C.P. Snow’s famed “The Two Cultures” manifesto in 1959, there has been debate over how the “soft” sciences and the “hard” sciences interrelate. In recent years, literary study has fostered a growing number of new, scientifically tinged methodologies. Prominent among these are Theory of Mind, an approach based on studying literature as part of the human need to conceptualize hypothetical mental lives of others; an evolutionary approach to narrative, which relates the appearance and practice of storytelling to evolutionary psychology and the human need for play; and the application of conceptual metaphor theory to reconsideration of how specific traits of human cognition generate, reinforce, and limit features of narrative and other types of cultural creativity. Such efforts as these, which view the arts as connected empirically to the natural state of the human animal, offer a startling new perspective on how the arts, in this case literature, can be studied as part of a scientific examination of behavior.

If the above approaches all represent humanists reaching towards their scientific, empirically-(rather than aesthetically-) driven kin “across the divide,” there also exist scholars moving in the opposite direction, who advocate for a scientific vision of reality that embraces some of the lessons and sensitivities of aesthetics. Such holistic approaches to science search for ways to emphasize the qualitative aspect of scientific work in order to avoid the tendency toward reductivism or the abandonment of context and nuance for the stark and unexpressive reality of pure number. For this type of scientist, art itself becomes a place for learning how to explore and reconceptualize empirical data, for imagining different centers of value for a given investigation’s results.

These two innovative tendencies come from radically different sets of underlying assumptions. As they continue to move in opposite directions, it is vital that they be brought into direct contact, with the hope that each will have a special light to shed on the other, before they have moved so far apart that they cannot find any common language. What can scientifically-inclined literary scholars learn from scientists who bridle at their own disciplines’ constraints? What can these same scientists learn from literary theorists who have chosen to abandon the aesthetic, qualitative, holistic criteria that historically guided them? This symposium aims to begin the process of considering these vital questions. The symposium hopes to foster a clear set of questions concerning the epistemological claims of both literature (as representative of the fine arts) and the natural sciences, each seen as simultaneously expressive and knowledge-oriented.

The symposium will consist of four half-day sessions, each centered around a keynote lecture by an eminent visiting scholar. Local participants are invited to submit an abstract for a 15 to 20 minute talk that would complement one of the keynote lectures during one of the sessions. Papers need not be closely linked to the specific keynote theme, but rather should be Faculty from the History and Philosophy of Science and Technology colloquy will choose the most appropriate suggested papers for inclusion in the symposium.


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Monday, Nov. 24

Peter Godfrey-Smith (Professor of Philosophy, Harvard University): “Models and Fictions in Science.”

Arthur Zajonc (Andrew W. Mellon Professor of Physics, Amherst College) “Toward an Integrative Understanding of Science.”


Tuesday, Nov. 25:

Brian Boyd (Distinguished Professor of English, U. of Auckland, New Zealand): “Telling Advantages: Storytelling as Adaptation.”

Pierre Laszlo (Professor of Chemistry, University of Liège, Belgium, and the École Polytechnique in Paris—Emeritus) “The Circulation of Concepts.” (The epistemological foundations of a science; the subjective role in concept-building).


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January 2008

An undertaking of the University Studies Interdisciplinary Colloquy of SPIRITUALITY and CRITICAL INQUIRY:

Professor Stanley Hauerwas will visit UT faculty and students



Professor Hauerwas will also present the BISHOP LECTURES in Knoxville on Jan



TIME MAGAZINE's "Theologian of the Year" in 2001, was characterized as theology's foremost intellectual provocateur ... Read more



In anticipation of Professor Hauerwas' presentation and to more fully participate in discussions with him, the professor recommends reading Chapter One of his book, The State of the University:Academic Knowledges and the Knowledge of God. Click Chapter One

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UNIVERSITY STUDIES NEWS ARCHIVE
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NEWS to ADD?? NEED MORE INFORMATION ??
CALL or E-MAIL
Program Chair,
Neil Greenberg 974-3599
(ngreenbe@utk.edu)


THE UNIVERSITY STUDIES PROGRAM is THE UNIVERSITY OF TENNESSEE'S interdisciplinary faculty development program.
The Program's participants include current faculty, emeritus faculty, and collaborating colleagues who have joined with one another to explore and possibly transcend the disciplinary boundaries that define and sometimes constrain them.

for more information about the University Studies Program, visit its website at http://notes.utk.edu/bio/unistudy.nsf or contact Departmental Secretary, Joan Murray Walters Life Science Bldg M239 -- unistudy@utk.edu -- 865-974-8177
or Program Chair, Neil Greenberg -- Walters Life Science Bldg M241 -- ngreenbe@utk.edu -- 865-974-3599
[last update 11-02-2007]